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How to Lose Friends and Alienate People Trailer, How to Lose Friends and Alienate People Poster and How to Lose Friends and Alienate People News at Film-Releases.com | Robert B. Weide

How to Lose Friends and Alienate People

Movie information

The most hilarious comedy of the year. Rated R: Restricted (Under 17 Requires Accompanying Parent or Adult Guardian) -- Rated R for language, some graphic nudity and brief drug material.
Released on:
October 3, 2008  

Production Companies:
Number 9 Films, Film4, Intandem Films
Distributors:
MGM

Status: Released

Cast:
Simon Pegg, Megan Fox, Kirsten Dunst, Gillian Anderson, Jeff Bridges, Danny Huston, Max Minghella

Director: Robert B. Weide

Screenwriter: Peter Straughan
Script: Book Adaptation

Genre: Comedy
About the film:
Based on the book by Toby Young in which he detailed his disastrous stint as a contributing editor for Vanity Fair in New York. Young is merciless about his own hapless attempts to ingratiate himself with celebrities and impress supermodels. But he is equally scathing about the ego and grandeur of his boss, editor-in-chief Graydon Carter Carter, and the self-importance of the entire Vanity Fair machine. Although all names have apparently been changed it's pretty self evident that it's going to be Vanity Fair that will be getting ripped to pieces.
Rated R for language, some graphic nudity and brief drug material.
Box Office: Opening weekend: $1.43 mil. (1750 theaters) | Domestic Total: $2.78 mil.
Critics Say:
Boston Globe:
EW:
NY Daily News:
Philadelphia Inq.:
Reel Views:
USA Today:
Reviews: Fresh or Rotten? See reviews for this film at RottenTomatoes.com

Related links:
  • How To Lose Friends And Alienate People: A Memoir



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    The following are comments from our old comment system.

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    July 18, 2012 - 13:08
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    Cam, I totally agree with you about the use of slow-mo in moives. It lends the most mundane scenes a sense of poetic observation that would be otherwise lacking. Two great examples I know of this are in Brian de Palma's films. The first is in Blow Out, when Travolta runs in slow-mo to rescue Nancy Allen who is being menaced by John Lithgow. Not only does the use of slow motion heighten tension, it also makes it incredibly moving. You know he is too late. The other is in The Fury when Carrie Snodgrass is killed by a car during a frantic chase sequence. The combination of close up and cross cutting heightens horror and despair. It also makes ugliness seem beautiful

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